Which "We" Are You Talking About?

Commentator Charles M. Blow wrote an interesting essay called "We Are Not Stupid," in which he wonders how people can follow Romney.

The answer, sadly, is that some Americans are profoundly stupid when it comes to voting.  In 2008, one set of "we" voted for McCain even after his team chose Palin.  A larger set of "we" (including me) voted for Obama.

This year, a surprising number of "we" came out for Santorum, one of the most stunningly out-of-touch presidential candidates in recent memory.  Many more still support Romney, despite not having done anything for the people since helping to set up state-wide health care in Massachusetts when he was governor there.  I think at that point in time, he was trying to out-Kennedy Ted Kennedy, a rich man with at least a few clues about government supporting people in need.  Now, like most other Republicans, Romney wants to reduce the debt on the backs of the workers (especially government workers) while giving the rich a pass on tax increases.

Some of "we" seem completely incapable of figuring out that an America constantly at war, with an ever-widening gulf between poor and rich, consistently vote against their own self-interest by voting for Republicans who are only interested in helping the rich and not the whole country.

Politicians, religious leaders and business leaders have been flim-flamming Americans for generations.  Sometimes, they're just after our money or our support, but the politicians are also after our vote.  We have to carefully evaluate where the politicians come from, and how they've evolved over time.  While Obama has made mistakes, I have more trust in him, particularly after getting an initial health care bill passed through an incredibly hostile Congress, than I do for any Republican candidate.

Tenth Anniversary Blog: Increasingly Aggravated by Google

April 2012 marks 10 years of my erratic blogging, 17 1/2 years of being active on the Web, 24 years of being a USENET participant, and 28 1/2 years of having an E-mail address.

WHEW!

For over 10 years, Google was the best search site.  It still is, but its other features are increasingly hard to use.

There I was, trying to give feedback about a company on Google places.  I was logged into my Google account, I wrote up my comment, and this odd little box popped up:

     Set your appearance to start rating

With little graphics the type of which you'd see on early '80s video games.

My options were "Get started" or "Cancel your rating."

On the one hand, I really wanted to rate a local business.

On the other hand, I really have no interest in "Getting started" with some sort of bizarre little Google Places account.

On of the options should have been "Rate."  

Google always likes to say "Do no evil" or "Google’s mission is to organize the world’s information and make it universally accessible and useful."

I believed that for a long time, but I'm not so sure these days.  Increasingly, Google seems to only look for ways to monetize every bit of information anyone many be willing to share without listening to any user feedback.

Maybe I'm just an old computer user and tired.  I don't object to change.  And I understand that companies need to make money.  I've had Google ads on my sites for many years, and that basically pays for my ISP account.  But once I'm logged into one Google account, Google should not demand for me to create another account just to rate a local business.  I can see where people might want the option to create another account for such ratings, but it should not be required.

Annual Look at Oscars, 2012

2011 was a good year for movies, but it was not a great year for movies.  Last year, I found The Social Network, The King's Speech and Inception to basically be instant classics.  I knew when I was watching them that these were the great movies of not just of last year but they were some of the best movies of our very young millennia.
This year...generally I found movies to be triumphs of style over substance, notably The Artist which has one of the lightest scripts I've ever seen for a serious Best Picture contender. I liked it but did not love it. While many people had mixed feelings about The Help, it was grounded by its performances and by avoiding melodrama. It was a movie I liked even more the second time I saw it. I liked The Descendents very much. Like The Help it had excellent performances and a script that was layered instead of flat. Finally, while Albert Nobbs and A Dangerous Method were overlooked, in many ways they were bookends of late Victorian and early-mid-Edwardian sexual mores in Europe - in short, movies for history-loving adults.
There were two hopeful trends in moviemaking:

• The re-emergence of movies with strong casts of actresses.  Movies with strong, female-dominated casts were more prominent in the '30s, '50s and late '70s, then pretty much died out except for, maybe, one movie a year. This year, we had The Help, Albert Nobbs, Young Adult, Bridesmaids and even, when we want to talk about very strong female characters in a man's world, The Iron Lady and Friends with Benefits. While Bridesmaids ultimately was flawed by humor more suitable for 10 year old boys, it shows there may be hope for more comedies featuring women. Just, please, Hollywood, don't sit there and remake The Hangover or other gross-out buddy-boy movies with women. Listen to Diablo Cody, she generally gets it, and Kristen Wiig and Annie Mumolo seem to as well. We need more outrageous and committed women both in front of and behind the camera. Make smart flicks about women, not stupid gross-out-flicks and rom-coms.
• The willingness to take risks with different kinds of movies. While I don't think The Artist was the best movie of 2011, it took risks and it looked great. Ditto Hugo for being one of the rare movies to do 3-D correctly.

Unlike most Americans, I actually went to more movies last year. I saw a few junk movies (the Razzie-nominated I Don't Know How She Does It and Abduction, and at least two other bad movies - the most recent Pirates movie and Extremely Close and Incredibly Loud). But I'd really like to see more movies for adults - movies like Albert Nobbs, The Descendents, The Help, A Dangerous Method, Margin Call, even Young Adult - movies that are thoughtful and don't rely on gore and explosions.
In short, I'd go the the theater more often if I got to see more adult movies and less junk. That would include, for example, the reboot of The Muppets that was frequently a sly and subversive exercise.
Things multiplexes could consider - dedicate some of the multiplex for movies and drinks for adults and keep the kid movies, video games, candy and party rooms in another part of the multiplex.  Have a weekday with special screenings for retired folks and for people who might have to attend a movie with a baby.  You have all that space - target its use a little better.
Now, my look at this year's Oscar nominees. I'll be at an Oscar party this year so I won't be online during the Oscars, but I'm sure I'll have some things to say about the show later tonight or tomorrow. [And I was at the party, briefly. It turned out that there was basically no place to sit and watch the Oscars at this Oscar party. So, I flew home, got out of my party dress, but on my pajamas and watched the show from the comfort of my chair.]

Best Performance by an Actor in a Leading Role

• Demián Bichir - A Better Life
• George Clooney - The Descendents (should win)
• Jean Dujardin - The Artist (will win * * WON)
• Gary Oldman - Tinker, Tailor, Soldier, Spy
• Brad Pitt - Moneyball

Jean Dujardin has a very expressive face...but Clooney's performance was great and he deserves the Oscar. Kudos to Gary Oldman for playing such a cipher in TTSS. [[Caught a bit of an interview from the Oscar lunch with Demian Bichir and he is very funny and bold. He'd be good working on a movie with Clooney and Pitt - he has that same attitude in real life. Excellent to see a likely future Oscar nominee, Benedict Cumberbatch, in a bit of the Gary Oldman scene. "When you get the answer you're looking for, hang up" - great line from Brad Pitt's scene in Moneyball. I do admire Jean Dujardin's performance, but...I just preferred George Clooney's for 2011. It's amazing how good Dujardin always looks when he much be terribly jet-lagged.]]

Best Performance by an Actress in a Leading Role

• Glenn Close - Albert Nobbs
• Viola Davis - The Help (should win, will win)
• Rooney Mara - The Girl with the Dragon Tattoo
• Meryl Streep - The Iron Lady (WON)
• Michelle Williams - My Week With Marilyn

I have loved every single performance Meryl Streep has given on film. I think I've seen them all. She could win every award every year because she consistently makes good choices. However, the performance I thought the most about this year was Glenn Close's amazing performance in Albert Nobbs. She's also added a great deal to movie-making for nearly 30 years, and still has never won an Oscar. But...when I rewatched The Help, Viola Davis was even better than I'd remembered. She had a very tricky role, and, like Glenn Close's performance, it was all about being very quiet and very internal, except when you looked at her eyes. Michelle Williams also captured Marilyn Monroe in a way I did not think she'd be able to. This is one of those categories that if any of these women won, I would not be upset. But, I'm rooting for Viola Davis. [[They chose the perfect note from Albert Nobbs for Glenn Close. They chose an odd bit for Viola Davis because people who didn't see The Help had no clue what she was talking about. Lovely comments for Meryl Streep by Colin Firth (well, they've worked together so it sounds somewhat natural). Great scene for Meryl from The Iron Lady, though it could confuse Americans. Sweet comments for Michelle Williams. I'm not sad to see that Meryl won, but I did rather think it might have been Viola's year. Lovely that Meryl remembered to thank her husband first, and then her make-up artist second. ;-> Good speech all around.]]

Best Performance by an Actor in a Supporting Role

• Kenneth Branagh - My Week With Marilyn
• Jonah Hill - Moneyball
• Nick Nolte - Warrior
• Christopher Plummer - Beginners (should win, will win * * WON)
• Max von Sydow - Extremely Loud and Incredibly Close

I do a little extra work, and have can say now that I worked on an Oscar-nominated movie(!) - the Pittsburgh-made Warrior. I was in Nick Nolte's AA meeting at the very beginning of the movie, and if the camera shot had stayed fixed on the church stairs as Nolte drove away for another 3 seconds, I would have stayed in the movie. It was interesting to watch Nolte work, and he wound up giving an incredible performance in Warrior. Neither Branagh nor von Sydow really did that much for me. So as much as I enjoyed Nolte's fine work, I think I'll go along with the crowd and say Plummer will win for Beginners as he's owed for a lifetime of mostly great work. [[Really delighted - he is so owed, especially for The Last Station a few years back. Wonderful speech.]]

Best Performance by an Actress in a Supporting Role

• Bérénice Bejo - The Artist
• Jessica Chastain - The Help
• Melissa McCarthy - Bridesmaids
• Janet McTeer - Albert Nobbs
• Octavia Spencer - The Help (should win, will win * * WON)

Saw all of these performances and they were all very good. Janet McTeer who was utterly magnificent in Albert Nobbs and Melissa McCarthy was deliciously fearless in Bridesmaids. But I was very drawn in by Octavia Spencer who was so wonderful in The Help [[YAYAYAYAYAAY Octavia!! ]].

Best Animated Feature Film

• A Cat in Paris - Alain Gagnol, Jean-Loup Felicioli
• Chico & Rita - Fernando Trueba, Javier Mariscal
• Kung Fu Panda 2 - Jennifer Yuh Nelson
• Puss in Boots - Chris Miller
• Rango - Gore Verbinski (should win, will win * * WON)

I saw none of the Best Animated Feature nominees, but heard good things about both Rango and Puss in Boots so Rango is my guess.

Best Art Direction

• The Artist - Laurence Bennett (Production Design); Robert Gould (Set Decoration) (will win)
• Harry Potter and the Deathly Hallows Part 2 - Stuart Craig (Production Design); Stephenie McMillan (Set Decoration)
• Hugo - Dante Ferretti (Production Design); Francesca Lo Schiavo (Set Decoration) (should win * * WON)
• Midnight in Paris - Anne Seibel (Production Design); Hélène Dubreuil (Set Decoration)
• War Horse - Rick Carter (Production Design); Lee Sandales (Set Decoration)

While I can't speak for War Horse, the art direction for each of the other movies was excellent at capturing a specific time and place. Hugo had more interesting Art Direction, but I expect The Artist will win, though that wouldn't be that bad. But this is an example where I wish Harry Potter would get a special Oscar - its Art Direction and Special Effects have been consistently excellent over eight movies. [[Great to see Hugo win the first two awards of the night!!!!!]]

Best Cinematography

• The Artist - Guillaume Schiffman (will win)
• The Girl With The Dragon Tattoo - Jeff Cronenweth
• Hugo - Robert Richardson (should win * WON)
• The Tree of Life - Emmanuel Lubezki
• War Horse - Janusz Kaminski

This should be Robert Richard's for Hugo, who, I'm sure with help from director Martin Scorsese figured out the right way to do 3-D. This movie looked absolutely amazing. Instead of using that old and annoying 3D trick of "throwing" things at the audience, the photography in this movie gave the train station great depth. The cinemetography for The Artist was very good, but not ground-breaking. I suspect The Artist will win. [[I'm especially glad that Hugo won this award!!]]

Best Costume Design

• Anonymous - Lisy Christl
• The Artist - Mark Bridges (should win, will win * * WON)
• Hugo - Sandy Powell
• Jane Eyre - Michael O'Connor
• W.E. - Arianne Phillips

I don't have a problem with the likely win of The Artist for its costume, but I would like to observe that Hugo walked a fine line for costuming what had started off as a kid's book and delivered a costume look that was slightly "hyper-real" without being "surreal."

Best Directing

• The Artist - Michel Hazanavicius (will win * * WON)
• The Descendants - Alexander Payne (should win)
• Hugo - Martin Scorsese
• Midnight in Paris - Woody Allen
• The Tree of Life - Terrence Malick

Alexander Payne keeps directing small gems of the human experience. Love his work, wish he'd win an Oscar for The Descendants. My hope is that The Descendants gets Best Director and The Artist gets Best Picture. But, I have the feeling The Artist will get most of the awards it's nominated for, including this one. Hugo is a wonderful movie, with a somewhat more complicated script than The Artist and great performances, especially from the kids. I very much enjoyed Midnight in Paris, but I don't believe it would be in this category if it hadn't shown such a return to form by Woody Allen. It is too bad. Because the other person who deserved to be in this category is Tate Taylor for The Help. I made a point of rewatching The Help this weekend, and it's even better on a second viewing. [[Oh well...well, maybe it'll go the other way, and something like Hugo or The Descendants will win Best Picture? I don't begrudge The Artist winning some awards, but I just didn't think it was great enough to win loads of awards (which, as it's turned out, it did not)]]

Best Documentary Feature

• Hell and Back Again - Danfung Dennis and Mike Lerner
• If a Tree Falls: A Story of the Earth Liberation Front - Marshall Curry and Sam Cullman
• Paradise Lost 3: Purgatory - Joe Berlinger and Bruce Sinofsky (should win, will win)
• Pina - Wim Wenders and Gian-Piero Ringel
• Undefeated - TJ Martin, Dan Lindsay and Rich Middlemas (WON)

Haven't seen any, but I'm guessing Paradise Lost because documentaries that point out injustices tend to win. There's a chance for Wim Wenders' artistic experiment Pina to take the prize. [[The producers of The Undefeated gave a funny speech. Ahh, the Undefeated is related to Weinstein. Oh well...]]

Best Documentary Short

• "The Barber of Birmingham: Foot Soldier of the Civil Rights Movement" - Robin Fryday and Gail Dolgin
• "God is the Bigger Elvis" - Rebecca Cammisa and Julie Anderson
• "Incident in New Baghdad" - James Spione
• "Saving Face" - Daniel Junge and Sharmeen Obaid-Chinoy (WON)
• "The Tsunami and the Cherry Blossom" - Lucy Walker and Kira Carstensen (should win, will win)

Haven't seen any of them, so this is a guess. [[If I'd remembered what "Saving Face" was about, I probably would have thought that one would have won.]]

Best Film Editing

• The Artist - Anne-Sophie Bion and Michel Hazanavicius (should win, will win)
• The Descendants - Kevin Tent
• The Girl with the Dragon Tattoo - Kirk Baxter and Angus Wall (WON)
• Hugo - Thelma Schoonmaker
• Moneyball - Christopher Tellefsen

Will give a "but" - Moneyball has many fans, and maybe it'll win this Oscar. [[Well I was completely wrong on this one - but was bound to happen. I also didn't like the editing of The Social Network last year.]]

Best Foreign Language Film

• Belgium - Bullhead - Michael R. Roskam, director
• Canada - Monsieur Lazhar - Philippe Falardeau, director
• Iran - A Separation - Asghar Farhadi, director (should win, will win * * WON)
• Israel - Footnote - Joseph Cedar, director
• Poland - In Darkness - Agnieszka Holland, director

A Separation has great buzz, and In Darkness seems to have some. [[The Iranian director gave a wonderful acceptance speech]]

Best Makeup

• Albert Nobbs - Martial Corneville, Lynn Johnston and Matthew W. Mungle
• Harry Potter and the Deathly Hallows Part 2 - Nick Dudman, Amanda Knight and Lisa Tomblin
• The Iron Lady - Mark Coulier and J. Roy Helland (should win, will win * * WON)

I think it'll go for a smaller movie, and make-up made Streep look uncannily like Thatcher.

Best Music (Original Score)

• The Adventures of Tintin - John Williams
• The Artist - Ludovic Bource (will win * * WON)
• Hugo - Howard Shore (should win)
• Tinker Tailor Soldier Spy - Alberto Iglesias
• War Horse - John Williams

Not sure...wonder if the interesting Hugo score has a chance?

Best Music (Original Song)

• "Man or Muppet" - The Muppets - Music and Lyric by Bret McKenzie (should win, will win * * WON)
• “Real in Rio” - Rio - Music by Sergio Mendes and Carlinhos Brown; Lyric by Siedah Garrett

Haven't heard "Real in Rio" but "Man or Muppet" worked perfectly. [[At least they showed a little of "Man or Muppet," but not the part with Jim Parsons. Yay Bret McKenzie!!!!]]

Best Picture

• The Artist - Thomas Langmann, Producer (will win * * WON)
• The Descendants - Jim Burke, Alexander Payne and Jim Taylor, Producers (should win)
• Extremely Loud & Incredibly Close - Scott Rudin, Producer
• The Help - Brunson Green, Chris Columbus and Michael Barnathan, Producers
• Hugo - Graham King and Martin Scorsese, Producers
• Midnight in Paris - Letty Aronson and Stephen Tenenbaum, Producers
• Moneyball - Michael De Luca, Rachael Horovitz and Brad Pitt, Producers
• The Tree of Life - Sarah Green, Bill Pohlad, Dede Gardner and Grant Hill, Producers
• War Horse - Steven Spielberg and Kathleen Kennedy, Producers

I expect The Artist to win, but I really preferred The Descendents, The Help and Hugo to it. The Artist is a nice, inventive movie, but it isn't great. [[Nice blend of Best Picture nominated scenes just before the award was announced. ]]

Best Short Film (Animated)

• "Dimanche/Sunday: - Patrick Doyon
• "The Fantastic Flying Books of Mr. Morris Lessmore" - William Joyce and Brandon Oldenburg (should win, will win * * WON)
• "La Luna" - Enrico Casarosa
• "A Morning Stroll" - Grant Orchard and Sue Goffe
• "Wild Life" - Amanda Forbis and Wendy Tilby

A guess - haven't seen anything in this category. [[The winner looks so cool. "Wild Life" also looked very good.]]

Best Short Film (Live Action)

• "Pentecost" - Peter McDonald and Eimear O'Kane
• "Raju" - Max Zähle and Stefan Gieren
• "The Shore" - Terry George and Oorlagh George (WON)
• "Time Freak" - Andrew Bowler and Gigi Causey (should win, will win)
• "Tuba Atlantic" - Hallvar Witzø

A guess - haven't seen anything in this category. [["The Shore" was made by a friend of Michael Moore's]]

Best Sound Editing

• Drive - Lon Bender and Victor Ray Ennis (should win, will win)
• The Girl with the Dragon Tattoo - Ren Klyce
• Hugo - Philip Stockton and Eugene Gearty (WON)
• Transformers: Dark of the Moon - Ethan Van der Ryn and Erik Aadahl
• War Horse - Richard Hymns and Gary Rydstrom

Like Moneyball, I expect Drive to win something, somewhere...

Best Sound Mixing

• The Girl with the Dragon Tattoo - David Parker, Michael Semanick, Ren Klyce and Bo Persson
• Hugo - Tom Fleischman and John Midgley (WON)
• Moneyball - Deb Adair, Ron Bochar, David Giammarco and Ed Novick (should win, will win)
• Transformers: Dark of the Moon - Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin
• War Horse - Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson

20-time Oscar nominee (and no wins) Kevin O'Connell managed to not be nominated (he worked on The Muppets this year). Maybe this will be Moneyball's Oscar?

Best Visual Effects

• Harry Potter and the Deathly Hallows Part 2 - Tim Burke, David Vickery, Greg Butler and John Richardson
• Hugo - Rob Legato, Joss Williams, Ben Grossmann and Alex Henning (WON)
• Real Steel - Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg
• Rise of the Planet of the Apes - Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett (should win, will win)
• Transformers: Dark of the Moon - Scott Farrar, Scott Benza, Matthew Butler and John Frazier

I keep going back between Harry Potter and Planet of the Apes. Hugo's effects were fine, but Real Steel and Transformers were so-so. I think I'm going with Planet of the Apes for its excellent integration of San Francisco and apes.

Best Writing (Adapted Screenplay)

• The Descendants - Screenplay by Alexander Payne and Nat Faxon & Jim Rash (should win, will win * * WON)
• Hugo - Screenplay by John Logan
• The Ides of March - Screenplay by George Clooney & Grant Heslov and Beau Willimon
• Moneyball - Screenplay by Steven Zaillian and Aaron Sorkin. Story by Stan Chervin
• Tinker Tailor Soldier Spy - Screenplay by Bridget O'Connor & Peter Straughan

A tough category. The Ides of March had two great first act and a great scene in the third act, but a horrible, horrible, horrible third act. I found Tinker Tailor... very engrossing despite my strong dislike of spy movies. Really caught that mid-70s angst very well. Hugo was about the only movie I had a slight "instant classic" vibe about this year. Ultimately, I have to go with The Descendants for its excellent characters and for the sense that life is always a little off-kilter. Because often it is.

Best Writing (Original Screenplay)

• The Artist - Written by Michel Hazanavicius (will win)
• Bridesmaids - Written by Annie Mumolo & Kristen Wiig
• Margin Call - Written by J.C. Chandor (should win)
• Midnight in Paris - Written by Woody Allen (WON)
• A Separation - Written by Asghar Farhadi

And, actually, this category isn't so tough, but it'll probably go to The Artist anyway even though the script is very cliched throughout. There was much to admire about Bridesmaids and it's nice to see a comedy be nominated, but there were too many scenes that were, frankly, juvenile. Midnight in Paris was a sweet ode to 1920s Paris intellectual life, and it has a chance. However, Margin Call was the sharpest script of last year, and that's the script that deserves to win. [[Nice to see they showed a very good scene from Bridesmaids. At least The Artist didn't win - Midnight in Paris was a lovely flick.]]

Governor's Awards/Honorary Oscars

• James Earl Jones
• Dick Smith
• Oprah Winfrey (Gene Hershalt Award)

---

Comments on the Show

Two tech awards were given out in the first 20 minutes. They could have saved another five minutes by dropping the Billy's Oscar song which was pretty awful this year. Liked the small clusters of musicians on the balconies.

I liked Sandra Bullock's presentation, but didn't she speak German as a joke during a presentation a few years back?

Liked the acknowledgement of the love of movie-going, and the popcorn girls were amusing.

The JC Penny ads with Ellen were all very amusing.

Enjoyed the short inserts with actors talking about movies they loved.

Sad to see there are still so few women who work in the technical end of movies.

Good to see Michael Douglas looking better!

Award Counts

• The Artist - 5
• Beginners - 1
• The Descendants - 1
• The Girl with the Dragon Tattoo - 1
• The Help - 1
• Hugo - 5
• The Iron Lady - 2
• Midnight in Paris -1
• The Muppets - 1
• The Separation - 1

My guesses - 12 out of 24 - 50%

Living Erratically...

I can't blame everything on my lack of sleep. After all, things are going well, but inadequate sleep makes such a difference! I've been very unfocused for a while, mostly due to the sleep. I've been on a low dose of Ambien for nearly 4 years, but drugs for insomnia don't work permanently. Luckily, I have my annual physical tomorrow, so I might be able to change to a different drug. Otherwise, things are going pretty well. I've been managing some Websites. I got an idea for a novel during NaNoWriMo, and while I only got a few thousand words into it, I think it shows promise. I also have an idea for a short film script for the Steeltown Film Factory Competition. I hope I'll be able to write it, but since only 12 pages are required, I might be able to finish it.

Election Day 2011: Remember Before You Vote

Don't forget to vote today!  And always bring your photo ID with you.

Remember Before You Vote

LAURIE D. T. MANN

Many politicians make it clear they don't care who dies,

so long as the wealthy and corporations pay less in taxes.

They don't care when people die from lack of medical care.

They don't care when women die from backroom abortions.

They don't care when soldiers die in pointless wars.

They don't care when citizens die in war,

or industrial hazard,

or from a failure to plan well,

or from poor infrastructure,

or from a lack of education,

or from bad water, food or air.

They don't care when the harassed die from murder or suicide.

Don't elect the ignorant who make it perfectly clear they don't care about

"Government of the people

by the people

for the people."

It's still your choice.

Vote smart!

Investors Should (Dis)Occupy Wall Street - Dump Bank of America, Citigroup (et.c.) Stock

The average investor who profited from stock market roller coaster of 2008 and 2009 in no way caused it - we're investors, we have 401ks, we have diversified portfolios and we have a home that we bought with a 20% down payment.  We were doing the things every rational investment advisor had been telling small investors to do for years.

And many of us who invest reasonably in the stock market do believe we should be taxed more, even though we aren't millionaires.  Most investors hate the way America is becoming a third world country, and understand the only way to fix that now is to increase taxation for people making above, say $100,000.  We want a stable, educated America.

So many millions of investors agree with most of the the Occupy Wall Streeters.  But the way investors should act is to Dis-Occupy Wall Street.

Now is the time is to take the power from financial companies by refusing to invest in their financial products.  If you hold stock in BankAmerica, Citi, etc., dump the stock.  Invest in small companies rather than in financial firms.  The financial firms have been bringing this country down for years, and we can fight that by selling all of their stock.  Review the companies your 401k is invested in and shift your funds away from financial companies.

The Blog for Equity Blog

Of course any consenting adults who want to get married should be able to get married! What's so hard about that?

It should be obvious. Why is any rational person still fighting about it now?

Remember Before You Vote

Laurie D. T. Mann

Many politicians make it clear they don't care who dies,

so long as the wealthy and corporations pay less in taxes.

They don't care when people die from lack of medical care.

They don't care when women die from backroom abortions.

They don't care when soldiers die in pointless wars.

They don't care when citizens die in war,

or industrial hazard,

or from a failure to plan well,

or from poor infrastructure,

or from a lack of education,

or from bad water, food or air.

They don't care when the harassed die from murder or suicide.

Don't elect the ignorant who make it perfectly clear they don't care about

"Government of the people

by the people

for the people."

It's still your choice.

Vote smart!

Annual Look at the Oscars 2011

I saw and liked most of the movies nominated for Oscars for last year (of the major flicks, haven't seen True Grit, 127 Hours or Black Swan). If anything, last year was a better year for movies in a few years. It seemed like there were a few more movies for grown-ups out there.

I liked Social Network very much, but I liked The King's Speech a little bit more. Both are classics.

Best Picture: The King's Speech [[[WON!!!]]]
Best Actor: Colin Firth [so owed, especially for last year] [[[WON!!!]]]
Best Supporting Actor: Christian Bale [Geoffrey Rush is a definite possibility; he and Firth were terrific together] [[[WON!!! - I was so surprised when he wasn't nominated years ago for Empire of the Sun]]]
Best Actress: Natalie Portman [the so-owed Annette Benning could win for a terrific performance in The Kids Are Alright] [[[WON!!!]]]
Best Supporting Actress: Melissa Leo [though she may be hit by some backlash due to some badly-timed promotional advertising, so Hailee Steinfeld is still a possibility] [[[WON! - I'm sure the producers are reminding potential winners not to swear onstage]]]
Best Animated Feature: The Illusionist [I know, it's not Toy Story 3 - it's so much better!] [[[Toy story 3 won]]]
Best Art Direction: Inception [[[Alice in Wonderland won - thought it was a bit too weird]]]
Best Cinemetography: Inception [[[WON!]]]
Best Costume Design: The King's Speech [[[Alice in Wonderland won - still think Alice was too over-the-top in its costume design, too]]]
Best Directing: Tom Hooper [The King's Speech] [[[WON!!!]]]
Best Documentary Feature: Gasland [[[Inside Job won]]]
Best Documentary Short Subject: Strangers No More [[[WON!!!]]]
Best Film Editing: 127 Hours [I found the editing for Social Network sloppy] [The Social Network won]
Best Foreign Language Film: Outside the Law [Algeria] [[[In a Better World - Denmark - won]]]
Best Makeup: The Wolfman [[[WON!!! - always nice to see Rick Baker win an award]]]
Best Original Score: The Social Network [though I didn't really care for any of the music this year - loved the scoare for Up last year] [[[WON!!!]]]
Best Original Song: If I Rise [haven't heard that one, but the other songs were pretty bad] [Whatever Randy Newman wrote for Toy Story won...]
Best Short Film (Animated): The Lost Thing [go Shaun Tan! 2nd year in a row, I'll get to cheer an Oscar nominee I've met!] [[[WON!!! - Absolutely delighted about this one]]]
Best Short Film (Live Action): The Crush [[[God of Love won]]]
Best Sound Editing: Inception [[[WON!!!]]]
Best Sound Mixing: The Social Network [Inception won (so that's fine - it had amazing sound work all the way around)]
Best Visual Effects: Inception [[[WON!!!]]]
Best Writing (Adapted): The Social Network [[[WON!!!]]]
Best Writing (Original): The King's Speech [[[WON!!!]]]

The Long, Slow Suicide of Borders

I'm a longtime book fan and I married a serious book collector back in 1977. Even when we had little money, we usually found a way to buy books. When other people might visit fine restaurants when they went to a new place, we'd look for bookstores.

During a trip to Ann Arbor in the late '70s, we made our first trip to Borders. It was the single best bookstore I'd ever been to, except for The Strand in New York City. Eventually, we did get to Powell's in Portland, which is the bookstore Mecca for readers. But Borders had an amazing selection of books and cozy chairs for reading, which wasn't anything you ever saw in a Waldens.

At some point in the early '80s, Borders started to expand. We were living in Massachusetts at the time, and Jim made a trip to Pittsburgh to visit relatives without me. He enthusiastically reported that a Borders had opened just outside of Pittsburgh. While it wasn't quite as overwhelming as Ann Arbor Borders, it had great variety.

A few years later, a Borders opened in Framingham, Massachusetts, not far from where we lived. While we were big fans of the various independent bookstores in Cambridge (especially WordsWorth), it was great having a bookstore nearby with free parking.

In 1993, we moved to Pittsburgh. Not deliberately, we wound up buying a house that was 2 1/2 miles away from Borders. Just after we moved, the deal on our Massachusetts house fell through. I couldn't take months to look for the right job--I needed to get a job quickly so we could make two mortgage payments a month. I went to the Borders, applied, and had to take a test showing that I had a few clues about books. I was hired quickly and went to work.

One of the things that made Borders great in the '80s and '90s was it had a book database that was quite intelligent for its time. Stores were able to rapidly show their inventories and sales trends to headquarters. So Borders management could more easily react to sales trends than many other bookstores could.

But another thing that made Borders great was it demanded expertise from its clerks. Each clerk was responsible for a section of books. You had to shelve them and know about them. In my case, it was the computer book section (for the 10 years before I wound up as a sales clerk, I'd worked with computers). In the mid-90s, the number of books about computers, especially the number of books about this new tool, the Internet, grew rapidly. While an up-to-date online book database was certainly helpful, having people in the stores who really knew certain sections meant customers could get advice from knowledgeable salespeople.

In those days, Borders stressed Community involvement. Each store had a person whose sole job was to coordinate events at the store, both big events (in one year, we had Anne Rice and Oliver North) and small events (book clubs, readings for kids, local author promotions). These events were a great way to attract people who might not ordinarily come into Borders. And, it being the '90s, Borders added coffee bars and music/video sections to their stores.

I worked at Borders for a little over a year full time, then worked a little over the holidays once I got a job with computers again. During the mid-90s, two more Borders opened in the Pittsburgh area. Borders did start to get a bad reputation from independent booksellers in those days. When Borders came into an area, independent booksellers tended to go out of business. Pittsburgh lost many independent booksellers at that time because they could no longer compete. Luckily, some niche sellers, like Mystery Lovers, Bradley Books, and the University of Pittsburgh and Carnegie Mellon bookstores are still around.

Borders changed hands. Several times. I think it was owned by K-Mart at one point. That was when the notion that the sales management and sales staff really knowing books flew out the window. People were hired to run cash registers and not much else. Instead of individuals being responsible for a section, the books were stocked overnight. During sales hours, all clerks floated, so no one really knew the details of any of the sections. Managers were hired who, in theory understood retail, but didn't necessarily understand books. Borders management had had excellent relationships with its vendors, but started playing games with vendors, beginning with the small presses.

And during the '90s, Borders met up with its own giant-killer - Amazon, which made them even more conscious about costs. A brick and mortar operation like Borders can't sell everything as cheaply as an online operation like Amazon can. But, even now, Amazon can't give you advice about which book to get, it can only give you a list of books by a particular person or about a certain topic.

The one thing Borders lost track of was the idea that a good bookstore was more than just a collection of books: it was populated by people who understood books. Buyers wanted to browse. They wanted to talk to sales people who understood books. While many of us love Amazon, we still would like a place to browse and be surprised by books, the way were often were at Borders in the old days.

Also, Borders made it clear that community relations no longer mattered. People who ran community relations were fired. About the only events at Borders stores these days seem to be storytelling hour. Now, granted, book publishers don't tend to send out many authors on book tours, and they focus tours more on primary markets like New York and Chicago. But, even without the big-name author tours, there are many ways to get the community engaged with the store, and Borders stopped doing most of them.

By 2001, my local Borders didn't feel quite the same, but as I was looking for a part-time job, I went back to work there for a few hours a week. There was a new manager who didn't seem to read much. There were fewer clerks. It was hard to find things as no one really knew any of the sections anymore. I eventually quit.

So bad trends that Borders started engaging in in the late '90s have been exacerbated. Borders started playing games with all of their vendors, not just the small ones. Borders wants to blame all of its problems on outside forces. I won't say that the publishing industry, which has also been rather slow to change, is completely blameless in the Borders (and Joe Beth's) bankruptcy. But if Borders had had the kind of steady, forward-thinking management it had during its early expansion in the year 2000, I don't think Borders would have declared bankruptcy now. Borders has no one to blame but its own ostrich-headed management.

If you're curious, here are Border's biggest creditors as if its bankruptcy filing. It's disgusting when individuals lose their houses over a few thousand dollars that businesses can conintue to run without paying hundreds of millions of dollars of debt in a timely fashion. I hope Borders' mostly underpaid employees are paid as long as they have jobs.

---

One thing that may save Barnes and Noble for now are eBooks. I prefer the Nook to the Kindle, so that's what our family bought when we decided to get e-Readers. However, we still tend to buy books - mostly from Amazon, some from Barnes and Noble, some at science fiction conventions and some from other stores we run into. But, I never liked Barnes and Noble as much as I liked Borders for nearly 15 years.

---

Pittsburgh area note: It looks like the Borders in South Hills (my old store), Monroeville and Penn Circle are closing, but that the North Hills store is staying open. The South Hills store hasn't been doing well recently and has always had parking problems, especially over the holidays.

---

9/17/2011  Borders is really and completely dead.



9/30/2011:  Some employees at Borders 20 (in Illinois) posted a letter about how they felt about Borders.
http://www.flickr.com/photos/52724641@N03/5988917121
 I probably never made this clear in my essay, but I do not blame the failure of Borders on the type of employees who worked there in the '80s and the '90s.  Borders failure can only be laid at its upper management since the mid-'90s.  

Anger, Revisionism and Terrorism

People who know me, either in real life or maybe just online, know I have a bad temper.

In response to a particularly egregious court verdict in 1995, I wrote the following:

In response to my anger, I won't go out and get a gun. I won't bomb a building. I won't hack my parents or husband or child to death. I'll just write, talk and keep writing and talking until this passes.

The mass shooting by a domestic terrorist in Arizona on January 8 makes me very angry for a number of reasons. Its chilling effect on societal freedoms. Its sheer waste. Its reason for happening.

I do not believe the Tea Party is completely culpable for this event, but they are partially responsible. Ultimate, the shooter himself is responsible for buying a legal semi-automatic weapon (with help from the NRA and the Republican party for keeping gun laws so loose), taking it to a public event, trying to kill Gabreille Giffords, a moderate Democratic Representative, then spraying the audience with the gun, killing at least six and wounding a total of 19. A Federal judge (ironically, who'd ruled against background checks for gun buyers), a 9-year-old child (ironically, born on 9/11/01) and four others were murdered in cold blood - but seem to have been "collateral damage."

So how is this not a terrorist act? If an Islamic man did this, Americans wouldn't hesitate to call this an act of terrorism. They'd scream for vengence.

But if people point out:

that the Arizona shooter was an anti-government type [[who praised Palin -- the Palin comment may be a rumor; I was wrong to have included an unverified rumor]]

that Sarah Palin had marked 20 Democratic Congressional
representatives for electoral removal - by using the
cross-hairs symbol (this graphic was, of course,
removed from Palin's Website by late in day on 1/8,
but we should never forget that it was up for many
months and was seen by many thousands if not
millions of people) [[her later "surveyor's symbols" comments have been generally denied by surveyors]]

that Jesse Kelly, Gabrielle's opponent in the 2010 election,
held a campaign event that was advertised with
this line: "Help remove Gabrielle Giffords from office
Shoot a fully automatic F16 with Jesse Kelly." This
archival calendar item was removed on 1/8.

that the atmosphere in Arizon is so poisonous that even the
sheriff of Pima county has said that political vitriol
was partially responsible for the shooter's rampage.

We're accused of politicizing a tragedy.

I don't believe that. The same people who think America should be run by the Tea Partiers also don't hesitate to blame Obama for every problem this country's had over the last two years, seeming to forget that the wars and the economic catastrophe started in the Bush administration.

[[Added later]] And, frankly, I think many Tea Partiers would love to see a revolution in this country - but don't have the legitimate political clout to do anything more than be obstructionists and cause problems locally.

So should we thank them for the reassurance that the attempted murder of Congressional Representative who'd been "targeted" by Palin and the Tea Partiers and shot by an anti-government white guy who then kept shooting is in no way political and is in no way terroristic?

I have a bad temper, and another thing that brings it out is revisionism. Usually, if I've gotten mad or been wrong about the wrong person/thing online/in real life, I've never gone back and re-edited my Website or my life. When real people are involved, I've often had to apologize. Sometimes, I've said, "I was wrong about X." Sometimes, I've changed my behavior about X. But I will always admit to and own my anger - I might have been wrong, but I won't lie about it. But it's amazing how quickly the Tea Partiers have been scrubbing their old publicity to make it seem that they never tried to equate guns with removing people from office.

I don't hear or see the Tea Partiers apologizing for any of the inciting speech they've been engaged in. Because they will never take any responsibility for their part in this act of domestic terrorism. [[Added later]] The one good thing about this horrific event was the way that Sarah Palin has finally demonstrated that she is completely unelectable, and most Republicans may finally realize this. Her attempts to make herself a victim in all this is simply appalling. She's done nothing but demonstrate she has no grasp of history. Eight years of Bush should have proven that it's dangerous to have an ignorant person as president.

A few months ago, I attended the Rally 4 Sanity in Washington. It was a great day for people who want to try to find solutions to our country's problems rather than encourage constant vitriol.

After an event like the Arizona terrorism incident, we do have every right to be angry. But I don't think we should be eterally angry. We should try to channel our anger in rational ways, not in terroristic ways.

[[Added later]] I was relieved to see the rational way many Arizonans welcomed President Obama to Arizona when he attended a service in honor of the shooting victims. I hope many of them become more politically active so Arizona has more balanced leadership.

Allegheny County Follies: Christmas Tree Recycling Centers

The government in Allegheny county often has good ideas - then mars the good ideas with lousy implmementation.

Take Christmas tree recycling. A good idea. Many of us don't want years of dead Christmas trees in our backyard, but thought leaving them out on the curb each January for trash pick-up was a little weird.

So when I saw the announcement of Christmas Tree Recycling Centers, I thought "Great!" I packed up our dying tree, loaded it in the trunk, and headed for the Settlers Park Pool parking lot, to have our Christmas tree mulched.

Of course, when I got there, well before the 3:30pm close time, the gate to the Settlers Park Pool lot was closed. No signs, no nothing.

I drove off in the direction of the park office. Along the way, I saw an area off to the side where about ten discarded Christmas trees lay, along with mulch nearby. As it was snowing and the road was getting iffy, I turned around in the first safe location and dumped my tree along with the others. I may have left my tree in the right place, but would posting a sign have killed somebody?

Beer in Pittsburgh

Back in about 1994 (or maybe it was 1995), my husband Jim started to note where to get decent beer in Pittsburgh in a site called Jim's Beer in Pittsburgh. Believe me, if you didn't like to drink crap national brands in a restaurant, you didn't have many choices in those days, beyond one variety of Sam Adams, or maybe Yuengling. Luckily, friends introduced us to the Sharp Edge and Fat Heads so we felt like we had some selection. Jim and I maintained the site for a long time, but as good beer got easier to find, we didn't update it so much. But, it's been up, and despite its lack of updates, it gets about 700 visitors a month.

To be honest, I hadn't really looked at the site in a couple of years.

So, today, I got a note from a person at a bar I'd been to and liked in the last year. I went back and made some site updates. I'll share them with you here, but I liked to go back to the mostly archival Beer in Pittsburgh site and see a little bit about the way things were.

2011: It's been interesting that the number of good beer bars in the Pittsburgh area continues to grow even after restaurant smoking ban (yay!-remember the people who said that would ruin the industry?), the drink tax (boo, but ditto) and during a major recession (double boo). Kudos to the Sharp Edge for opening the best beer bar in downtown Pittsburgh (on Penn, near the pretty decent August Henry's). We've also made a few trips into the Southside to visit places like the DoubleWide Grill, Piper's Pub, and Fathead's. We have made one trip out to Rivertowne, in Monroeville, but haven't gotten to the ones closer to Pittsburgh yet. We thought the beer selection at Jerome Bettis' Grille 36 was much better than
we would have expected.

When you travel Pennsylvania in search of interesting beer, be sure to bring along Lew Bryson's newly updated Pennsylvania Breweries, an engaging look at the places in Pennsylvania that are brewing their own beer.

East End continues to supply craft beer locally.

Probably the most welcome addition to the beer scene has been the Steel City Big Pour, a huge beer and food festival held in early September to benefit Construction Junction. Absolutely worth trying to get tickets for it, but it sells out very rapidly. They've shown they understand how to put a beer festival together and make money at it at the same time.

The main failure over the last few years has been of the Penn Brewery. It closed for a while, and re-opened with a so-so menu, so-so beer, and the single worst beer festival we've ever been to in 2010. They continue to have problems, which is sad. Penn Brewery is a shell of its former self.

Oh, and while I know this is a religious argument to some, I tried and hated-hated-hated Harris Bar's bacon night. Sorry. Bad bacon, bad atmosphere, what's the point?

Fixing the ******* Smart Defragmenter Virus

My system was hacked by the Smart Defragmenter virus sometime during the early evening of 10/29/10. I'm not sure how that happened, but here's how to save yourself a lot of hassle if a program called Smart Defragmenter suddenly shows up on your PC.

I started getting disk error and RAM messages from Smart Defragmenter. As I'd been doing a lot of graphic work, and file transfer that day, I thought all I needed to do was to reboot.

After rebooting, I got the same error messages again. I'd never seen Smart Defragmenter before, but thought maybe it was a Dell or Microsoft product that was added during an update.

So I stupidly ran Smart Defragmenter. It said it had fixed 5 problems, but to fix another 5 problems, which would, of course, cost me money,

This looked like a virus, so I ran my free version of AVG.

My laptop crashed.

Rebooted. Did some quick searches on "Smart Defragmenter," on late 10/29, but except for one comment by one guy, people made it sound like it was a real program.

My husband, who is more technical than I am, thought I was having a disk failure. Since I was away on Saturday, he said he'd get a better external backup drive and back-up my laptop before the disk failed completely.

When I got back Saturday night, he said he'd bought the new external drive, but my laptop kept failing during the backup.

This morning, I logged in again and still got disk failure and ram messages. I foolishly decided to pay for the "Smart Defragmenter" update. Huge mistake. I ran the program and still had the same error messages.

I called my credit card company to dispute the bill. While the invoice for "Smart Defragmenter" claims the name of its company is: SecurityLabSoftware, LLC (SLS, LLC), Professional Circle, Suite 110, CA 10345, clearly that's a bogus address. The phone number isn't findable associated with a company online (877-282-0139 begin_of_the_skype_highlighting              877-282-0139      end_of_the_skype_highlighting). My credit card company says they'll note my dispute of the bill but I'll have to call again when it's posted in two days. The credit card company says the name they have for the company was "www.trd-app.com" which is a non-existent URL and their phone number is 888-490-4755 which appears to be a non-existent phone number.

To make a long story short, let me tell you what to look for to dump Smart Defragmenter from your system, without having to pay for some other program.

The problem executable is "winsp2up.exe."

On my system, Windows 7 Professional, this file was in [User]>AppData>Local>Temp
You have to do a Control-Alt-Delete and stop this process. Once you stop this process,
you can go to your temp directory and delete the file.

Another problem file in the same location is 48262185 (I think that had an exe too). This file was installed at the same time as winsp2up.exe, so I deleted that as well.

After rebooting, everything seems to be OK. I'd like to know how I got this virus, but now I know that AVG freeware is unreliable, I'll be installing a much more robust security system and I'll be changing all my passwords.

Weird Year, Great Trip to Australia and Going To Rally to Restore Sanity

I've been very quiet in the blog this year. I was hopelessly exhausted for over the first half of the year, but still managed to keep up with a part time job and an increasingly busy volunteer project.

The good thing that happened this year was Jim and I were able to go to Australia. We had a stupendous time. I survived jet lag, and took 1450 photos (nearly half of which I've edited).

This is my favorite photo from Australia:

September 11, 2010, the Sydney Opera House, Sydney Harbor Bridge, Laurie and Jim Mann, photo by John Maizels

We were in Melbourne for nearly two weeks, and Sydney for five nights. We went to Aussiecon 4 (World Science Fiction Convention), saw great sights, ate great meals and just had a terrific time. The only disappointment was we were going to New Zealand for a few days. To Christchurch. Sadly, our timing was off and the earthquake hit a few days before we were due to go. After dithering (I was eager to see Christchurch, and our B+B escaped unscathed) we decided to stay in Melbourne. Otherwise, we had a spectacular trip.

Also, being in Sydney the day that Oprah announced she was going to bring about 300 Americans to visit later this year was kind of a trip in itself - this was the top news story in Australia that day.

After a very busy two months of traveling, I decided at almost the last minute to go to Washington tomorrow for the "Rally to Restore Sanity."


So I have to go and meet a friend early tomorrow morning.

Atomic Gingerbread

This is a modification of a recipe from The Joy of Cooking - Applesauce Gingerbread. I like more ginger in my gingerbread. Also, since it doesn't have any butter and has only a little oil, it's better for you than most baked goods.
Recipe to print
Preheat oven to 325.

Boil
1 cup of applesauce

Remove from heat and stir in:
1/2 cup molasses
1 tsp baking soda

The mixture will foam and bubble vigorously. Cool slightly.

Sift together:
1 1/2 cup flour
4 tsp ground ginger
3/4 tsp ground cinnamon
1/4 tsp ground cloves
1/2 tsp nutmeg
1/4 tsp salt

In a large bowl, beat on high speed until
thick and pale yellow, 3-4 minutes:
2 large eggs
2/3 cup sugar

Gradually beat in
1/3 cup vegetable oil
1 tbl ginger paste

Fold in flour mixture in three parts,
alternating with the applesauce/molasses
mixture in two parts.

Fold in
1/3 cup raisins

Scrape the batter into a 9" x 9" pan. Bake until
a toothpick inserted into the center comes
out clean, 40-45 minutes. Let cool in the
pan on a rack for 10 minutes. Slide a thin
knife around the cake to detach it from the
pan. Invert the cake, let cool right side
up on the rack.

Decorate with some crystal ginger.

You can add any kind of ginger in any amount to this recipe, though sushi-style ginger doesn't work, due to the vinegar.

In Honor of a New Polio Documentary ("The Shot Felt 'Round the World") - Short Notes on Dr. Jessie Wright

Two years ago, I took a documentary course at the University of Pittsburgh. Back in 2005, in conjunction with the 50th anniversary of the release of the polio vaccine, some folks at Pitt led by Carl Kurlander started to collect a video record about the cure for polio.

When I took the course in early 2008, Carl suggested someone in the class might want to research Jessie Wright. I volunteered, and I'm glad I did. Jessie Wright was the unsung hero of polio treatment in the Pittsburgh area. I hope a little of my research made the cut, but I know they wound up with a shorter documentary than they were planning two years ago.

Here's a short look at Dr. Jessie Wright:


Born in England, Jessie Wright immigrated to the Pittsburgh area with her parents in 1906. Jessie was interested in medicine, partially due to having a friend handicapped by polio. Jessie learned about physiotherapy by observing the patients and helping with their therapy at the D. T. Watson home. She spent the next few years learning and practicing physiotherapy, while saving the money to attend college.

Even before attending college, Jessie studied skeletons and observed a dissection. She started taking premedical courses part time at the University of Pittsburgh in about 1921, and took several special courses in physiotherapy at the Harvard Medical School. Since Jessie was working, it took her many years to earn her Bachelor of Science (awarded in 1932) and her Doctor of Medicine (awarded in 1934).

Dr. Wright was later named the director of the D. T. Watson Home and taught orthopedics at the University of Pittsburgh. In addition to her medical, administrative and teaching duties, Dr. Wright developed several orthopedic devices and refined several others. While she worked on braces and splints, and she also adapted an existing device for especially for polio patients―the “fast-rocking” bed. This bed helped many polio patients to breathe on their own and freed them from the iron lung.

By 1947, she was the Chairman of the Joint Orthopedic Nursing Advisory Council and was active in the National Foundation for Infantile Paralysis. She worked with leaders in the polio field, including Jonas Salk and Basil O’Connor and built a reputation for herself and the D. T. Watson Home that went far beyond Pittsburgh. When he needed to test the vaccine on people who had already had polio, he tested patients at D. T. Watson.

But even while the vaccine was being tested and appeared to be working, Dr. Wright had to return her focus to rehabilitating polio patients. “The year 1952 was the worst polio year on record, with more than 57,000 cases nationwide.” Hundreds of children from across Pennsylvania arrived at the D. T. Watson Home for therapy. The therapy was surprisingly creative and patient-led. The important thing was to get the patient to the highest-level of self-sufficiency possible.

After forty-five years of near tireless work in the cause of improving the lives of people with orthopedic diseases, Dr. Wright suffered a coronary in 1966 that required her to retire from her professional activities, including running the D. T. Watson Home. She retired to seaside Maryland, where she enjoyed swimming, fishing and boating. Dr. Jessie Wright died September 6, 1970. A tree was planted in her honor at the D. T. Watson Home, and an annual award for Physical Therapy was named for her at the University of Pittsburgh Medical School. Both were extremely appropriate honors for a woman who worked so hard to professionalize physical therapy and loved the outdoors.

Rewriting History and Science, Texas Style

Texas has always had a strong, centralized system for buying textbooks. Unfortunately, the Texans are continuing to dumb down and rewrite history and science. Next, we'll probably learn that Pi=3, because the Bible says it does.

Roger Ebert wrote an excellent piece on how bad this siutation has gotten:
Texas School Book Repository.

So I guess the question many of us have is - how can we convince publishers to publish fact-based science and history books? If Texans want to rewrite science and history based on the ravings of the lunatic fringe, shouldn't these books be self-published rather most lunatic fringe books are?

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Well, it's not Quite the Republican's Waterloo...But It's Close!

I was raised to be a Republican. Heck, I even voted, when I was 19, for Gerry Ford. I worked for Republican candidates in the '70s and '80s.

But while I've spent most of my adult life as a registered Independent, I became a registered Democrat in 2004.

I believe we need a multiple party system in this country. But any rational Republican let the far right co-opt their own party somewhat during the Reagan administration, but whole-heartedly during the Clinton administration.

I'm not fond of big government. But, more important than its size is, is it a progressive, forward-thinking government? Does it try to treat people fairly? Does the government respect the Constitution? We didn't have that from early 2001 until early 2009. And yet, health care reform is somehow more unconstitutional than holding prisoners for years without charging them? What's wrong with this picture?

While my husband and I make under $250,000 (well under), I expect we will be paying higher taxes in the future. And I will not bitch about it. Not only will we be helping to pay for more American's health care (which is fine by me), we will also be helping to pay off the debts incurred during the Bush wars and tax cuts (which never were fine by me). But we won't bitch about it.

Thanks, again, President Obama and the Democratic party, for helping to bring American into the late 20th century with your health care reform plan. We will always remember who voted for it, and who voted against it.

HCR 2010: Better care for people, not for insurance companies!

Congratulations to Obama and the Democrats for dragging our country, kicking and screaming in some cases, into the late 20th century healtcare reform wise. Maybe we can stop spending as much of our GDP on healthcare, and get the better care most of the rest of the civilized world gets. Better care for people, not for insurance companies!

Pittsburgh's Blog for Equity Day

I'm busy today, so I'll get right to the point:

Consenting, taxpaying adults have the right to live with whomever they want without fear of state-sanctioned prejudice. There will always be bigots out there (that's life), but the law should not practice prejudice, like denying gay folks the right to marry should they so choose.

Annual Oscar Predictions - 2010

Stop on by; I'll be updating this during the Oscars.
2010 Oscars (comments on movies made in 2009).

William Tenn/Phil Klass and the Meaning of Chutzpah

I'm not sure when, exactly, was the first time I met Phil Klass (aka William Tenn). I think we met at one or two cons in the '70s or '80s. I was familiar with some of his writing, especially "Child's Play" and "On Venus, Have We got a Rabbi!" But, by 1993, I turned out to have a fairly close connection to Phil and Fruma -- my husband Jim and I bought a house about a half mile away from theirs in the Pittsburgh suburb of Mt. Lebanon. And their daughter, Adina, was only about four years older than our daughter Leslie. Over the next few years, we'd run into each other at various science fiction club events and at Confluence, the local SF con.

I'd often run into people who'd had Phil as a teacher at Penn State. Many of these people were in fandom, but I've probably met a dozen people at various companies in the Pittsburgh area who weren't SF fans but still remembered Professor Klass very fondly.

By the late '90s, Jim had an idea -- NESFA Press should reprint all of Phil's fiction. Since most of his fiction hadn't been reprinted in years, this would help expose more of his writing to more readers. It took a few months to develop the contract to Phil's exacting specifications, but the results by the early '00s were two terrific volumes of all of William Tenn's fiction: Immodest Proposals and Here Comes Civilization.

So we started working with Phil and Fruma a little more closely. He'd greet me with "Hello, Laurie. And why do they say all those terrible things about you?" The first time he did that, I wasn't sure how to react. I'd just laugh nervously and we'd go on from there. But, gradually, I noticed he only said that to people he liked, so that was fine by me!

When the Nebula Awards Weekend was in sudden search of a new site, I suggested bringing it to Pittsburgh, and SFWA took me up on that. SFWA also made William Tenn the Author Emeritus for the 1999 Nebula Awards Weekend. So there was Phil, resplendent in a tux, speaking to all the assembled writers, signing autographs for many of them.

Late 2003 and early 2004 I was consumed by work, collecting of Phil's non-fiction writing in a GoH book for Noreascon IV. Phil's non-fiction was full of little gems, especially a wonderful piece about his parents "Constantinople," and a long and fascinating piece on electronic surveillance in the '60s, "The Bugmaster." While we agreed on almost everything, we had two disagreements over the production of this book.

There were two interview transcriptions -- one long and the other very long. I wanted to edit out about 10% of the short interview, and maybe 25% of the longer interview to cut down on the repetitions (there are at least three stories told three different ways in the course of his non-fiction collection). Phil was adamant that nothing be edited, except to correct egregious errors. I finally got him to agree to some minimal editing, mostly removing side comments between Phil and the videographer.

We couldn't agree on the title.

For years, instead of saying "Thank-you very much," Phil would say, "For that, I'll dance naked on a table for you." I loved that phrase from him, and, felt it would be a good title for his collection of non-fiction. Because his non-fiction is quite honest. Also, Deb Geisler, the chair of Noreascon IV, loved it too.

Perhaps Phil and Fruma felt the title was too undignified or something so they resisted it. I'm not sure they ever came up with an alternative suggestion. Finally, after about a year of back and forth, they agreed to the title. The artist Bob Eggleton did a wonderfully comic take on the title for the cover. Undignified or not, Dancing Naked brought Phil his first Hugo nomination.

Noreascon IV chose William Tenn as one of their GoHs for 2004. With a lot of help from their old State College friends Kathy and Jim Morrow, and their daughter Adina, Phil and Fruma were able to go everywhere and do everything at the Worldcon.

In the late '00s, they were not able to travel as much. They still came out to Confluence every year, and sometimes drove to eastern Pennsylvania to visit Adina. By the fall of '09, Phil was in and out of several hospitals. He really enjoyed getting cards from people. He was particularly pleased to have heard from a fan from Norway. By late November, Fruma was able to bring him home. While very weak, he appreciated people's visits, and he was fairly alert.

Phil (and William Tenn) died on February 7, 2010, at home of congestive heart failure.

My favorite Phil Klass story took place 12 years before I was even born, at the end of World War II. Phil could exaggerate, but I'm sure this story is close to 100% true.

Phil was a short man, maybe about 5'2" or so. But what he failed to have in height, he more than made up for in bravado and chutzpah.

Phil was in the Army for most of World War II. He scored a very high rating on language aptitude. He was sent to the Univesity of Pittsburgh with 24 other soldiers for intensive training in Serbo-Croation. The plan was, they'd be sent to help liberate Yugoslavia.

It turned out, Phil never got to Yugoslavia, despite having learned Serbo-Croation. And most of the rest of his classmates were sent to the Pacific, where no one spoke Serbo-Croation.

But Phil was sent back to Europe. Since he spoke several languages (in addition to English and Serbo-Cration), he was eventually assigned to be a translator. One of his jobs was to translate for the former concentration camp guards.

So, picture this -- a short, Jewish American army soldier from New York City translating for tall, Aryan Nazi guards who'd spent years facilitating the slaughter of Jewish prisoners.

One of the guards finally asked him, "You speak an unusual kind of German. What is it?"

Phil looked the guard in the eye and said, "It's Yiddish."

Surviving the Snowpocalypse

A few weeks ago, Jim discovered we could attend five Pittsburgh Symphony concerts for the price of four. Since we didn't get to any PSO concerts last year, we'd never seen the new conductor, Manfred Honeck, at work. The concert I particularly wanted to see was Anne-Sophie Mutter playing a Brahams violin concerto.

So, Jim bought tickets for Friday, February 5.

Yes, the snowstorm was predicted, but we didn't expect more than five inches or so by Friday night.

I had a suggestion - why don't we use some of our Marriott points and just stay in town.

Jim tought this was a bad idea. However, in case we got seriously stuck somewhere, I packed the essentials - pajamas, change of clothes, toilet articles, my camera and my laptop.

4:30: We left very early, expecting road problems. But while we had 1"-2" of snow by then, the roads had been pretty well treated and there wasn't much traffic.

5:30: We had a very nice dinner, my belated birthday dinner, at the Braddock's American Brassiere (site of the former Opus at the Rennaisance). One of the chefs from the Inn at Little Washington is a chef there. Highly recommend it.

8:00: The concert was great, Mutter was wonderful playing Brahms' Violin Concerto. She sounded fabulous (of course!) and was wearing a striking gold gown. I'm very glad we went.

9:15: Odd bit at the concert for the Mahler Symphony #1. For a symphony orchestra, all the musicians are onstage when the concert starts, and stay all the way through, even the guy who clangs the cymbals one time. One trumpet player wandered onstage about five minutes after the Mahler started, and two more showed
up a bit later. Is this the orchestral version of a job action? [[Nope, it turns out it's a traditional part of this piece.]]

10:15: When we went to get our car, the roads weren't too bad. There was, maybe 4"-5" of snow.

We figured driving home would be slow but doable. By 10:30, we were out of the garage and headed for the Fort Pitt Bridge and tunnel.

The Fort Pitt Bridge is a double-decker, four lane bridge that goes over the Monongehela River, just before it joins with the Allegheny to form the Ohio. Two of the lanes go into the tunnel under Mt. Washington, and the other two go down to West Carson St. The Fort Pitt Tunnel is usually the most convenient way to travel if you're going south or west of Pittsburgh.

Mt. Washington is a fairly steep ridge south of downtown Pittsburgh. You really don't want to drive over it in the snow. And there are some other pretty big ridges south of that.

As we approached the bridge, the traffic stopped. At that point, we couldn't turn around and had to stay on the bridge.

And so, we crept across the bridge. It looked like the tunnel might be closed, but there was no way to tell for sure.

11:00: We were still on the bridge, and listened to the news. As with the flash flooding back in June, the "news station KDKA" was useless in providing local weather and traffic information during a potentially dangerous situation. KDKA reported that the tunnel and the Parkway West "had restrictions."

After a few more minutes, we found that the tunnel was completely closed, and all the traffic was routed down to West Carson St. It had been closed for over a half hour at that point.

If we thought the traffic was slow on the bridge, at least it moved a little. At one point on West Carson St., we moved 1/10th of a mile in a half hour.

As we were sitting on West Carson, I was dreading the trip through the West End. In retrospect, at the West End, I should have taken the back way to the Parkway West past the tunnel. But, there were fewer miles to home if I went along Stueben St., so that's the way I drove. And, unlike Carson Street, there wasn't much traffic. But there are some very steep hills on twisty streets. Luckily, there was no one in front of me by the time I got through to Stueben St.

But what I didn't expect since it wasn't at all windy - fallen branches and downed wires. The snow was heavy enough that it tore down branches all over the place, especially along Stueben St. There were intermittent power failures. The branches were mostly over in the other lane.

I burned rubber going up and over the hill, but I made it to Route 60, which would get me west of the city. I figured it should be slow but clear sailing from there.

12:15: There was a police roadblock after the bridge on the western side of Crafton. A few semis had jacknifed on Route 60 near Interstate 79. That part of the road was closed. The only alternate route was up and down hills so twisty I don't drive them in good weather. We pulled into a
closed gas station near the roadblock to consider our options.

I promised Jim I would limit saying "I told you so" to once an hour.

12:45: After about a half an hour and no progress (also, no snowplows on this fairly
major road), we consdered taking another back way we knew slightly. Jim had his GPS, so we
couldn't get that lost. The police thought that way had been plowed and would be pretty clear.

We got back onto Route 60 going back towards Pittsburgh, and turned to Ingram. We followed the most plowed road.

Turned out, the most plowed road for about two miles was the road to the massive Giant Eagle distribution center. *sigh*

We turned around and headed back to Ingram Rd. We turned onto West Prospect, which, while hilly, showed some signs of being plowed.

Big mistake. As we went over the top of a hill, we realized the plowing abruptly stopped. And a car was off the road. Yikes.

Very carefully, I was able to get us turned around. but it took what seemed like a very long time to get the car moving back up the hill again. Burning rubber and then some. But, I got back up to the top of the hill, got back to Route 60 and went back to the relative safety of the gas station.

While there was a motel about a quarter mile past the roadblock, it had no electricity (and the police didn't recommend it when there was electricity). Hard to tell how much snow. Maybe eight
inches. Oh, and did I mention the freezing rain? But, we still had plenty of gas.

The police said even after they got the trucks cleared off of Route 60, Route 22, which took us most of the rest of the way home, was a major mess.

Last report I heard said maybe up to 14" of snow our way... We were only supposed to get about 10" at the most.

2:15-2:45: Started writing this. I'm glad I had my laptop with a good battery!

2:45-5:00: Dozed on and off.

5:00: The snowplow for the gas station arrived. I moved a bit so I wouldn't get plowed in. Got out and cleaned off about 2 more inches of snow.

5:30: More stuck cars on Route 60, no snowplows for 60 yet. Road still closed west of here after nearly 6 hours. Now, people in 4x4s are waiting it out in the gas station lot.

6:10: Plows FINALLY plowed 60! The police left the gas station!

6:20: We got about a mile and a half further west...and see a newly jack-knifed truck
about three trucks in front of us. We're stopped on the hill near the 79 interchange. I hope
we can get moving again before the wet road turns to ice.

7:00: Still on the hill. There's been all kinds of equipment around the jacknifed truck, but
nothing is moving. Scarily, there's now a long line of traffic going westbound in the eastbound
lane.

7:10: Looks like the jacknifed truck is FINALLY out of the way! The Robinson township cops did amazing work all night long. I think the same guy we saw from midnight until 6 staffing the roadblock was the same guy stopping traffic around the jackknifed truck.

7:40: The plowing crew did a very thorough job around the jackknifed trailer. We actually got from Route 60 to Route 22 in Robinson without trouble - it was slow but not scarey and there were no unexpected stops. The 79-60 interchange was a nightmere - completely impassible from 79.

8:00: 22 was snowcovered and passable. However, the exits hadn't been plowed. Since our usual exit was very long, we got off in Imperial, so I could hit the bathroom (for the first time in 11 hours!) and get a drink. The roads were snowcovered but passible the whole rest of the way. To our surprise, our street had been plowed. But, that meant the first thing we had to do was to clear away enough snow so we could park our car in the driveway.

9:00: Finally IN THE HOUSE. I'm finishing up this epic tale of snowpocalypse survival. Jim is going to bed. We don't have to leave the house until Monday. Except for lots more shoveling (and, I hope, some snowblowing) we won't have to. Looks like we got nearly 14" in McDonald, but it's hard to tell because of the snowdrifts.

NYT: "What a Difference a Year Makes" - Was 1957 Really a Lucky Year in Which to Be Born?

There was a piece in The New York Times that tried to make the point that 1957 was an exceptionally lucky year in which to be born, based on the experiences of one white male Republican who lives in upstate New York named Harry MacAvoy.

Speaking as a person who was also born in 1957, I don't completely disagree with him, but it's amazing how much he's missed. It's like this man has been sleepwalking for 52 years (or, say, 47 years, since most of us don't remember that much of the first five years of our lives).

On the one hand, he's certainly right that people who were in college between about 1973 and 1982 had it easy in so many ways. We had most of the advantages of the sexual revolution and almost none of its disadvantages. But MacAvoy managed to miss the whole spectre of AIDS that later hit many of our generation, and certainly impacted those who were in college after us.

MacAvoy said, “We completely missed the upheaval of the 60s, the Vietnam protests on campus, the draft...and (I consider myself) lucky to have been young in the 1960s, so as not to have been traumatized by the Kennedy and King assassinations." Did he live in a household without television or newspapers in the '60s and '70s? Many of us were very much impacted by the civil rights revolution, the feminist revolution, the frequent assasination of leaders. Many of us who had secure lives suburbs still felt some of that upheaval even if we were children at the time. Not everyone born in 1957 was so completely lacking in empathy.

It wasn't always an easy thing to buy a house in the '80s. After years of so-so jobs, my husband and I both got decent jobs, part of the great high tech boom in Massachusetts. We couldn't afford our first house until 1987. And as there was a housing recession in the early '90s, we lost money when we sold our first house when my husband took a new job in Pittsburgh. For that matter, we lost a little money when we sold our second house in 2006, and our current home is worth less than it was in 2006. Luckily, my husband's job is reasonably secure, and the Pittsburgh housing market hasn't collapsed the way it has in many other places in the country.

Unlike a man long employed at the public trough like Harry MacAvoy, our retirement certainly won't happen in our 50s.
But unlike many people in their 50s now, we still have the likelihood of a reasonably comfortable retirement when we're in our 60s. We have always invested in 401ks, and didn't panic last year when the markets collapsed. But I know people around my age who were wiped out by the market collapse, some of whom are unemployed on top of that. For them, being born in 1957 has hardly been lucky. They may remember good-paying jobs and employer-paid insurance as a memory. They may be hoping to stay reasonbly healthy until they're old enough for Medicare. Given the Republican-driven misinformation about government-run health care over the last 30 years, that's all they can hope for.

So, sure, it was great to be a kid when we had a space program that was regularly breaking new ground, and when the GE ride at the 1964-65 World's Fair (later copied at the Disney parks) promised us "A great big beautiful tomorrow." While many things have improved over time, we have to be realistic that as some parts of society has witnessed continued improvement, many groups in society are still being left behind.

My Modest Disclaimer

The FTC has decided people should be up front when they are being paid to chat things up on the Web. Frankly, I think that's a good idea.

Yes, like many people who write for the Web, I have sometimes been paid or gotten freebies. However, since I generally don't review items, it doesn't happen very often.

As an independent contractor, I'm currently being paid to help support the All Things Human and Institute of Green Science Web sites. Most of the work I do is behind-the-scenes - research, testing, coding, revising material. Sometimes, I do post about these sites in my Facebook page or blog.

Earlier this year, I got two free tickets to see Up, which I loved and reviewed informally online. If I hadn't liked it, I would have said so anyway, despite the free tickets.

So, for this year, that's what I've been paid to write about. The vast majority of the writing I've done about movies, conventions, politics, Pittsburgh, travel, et.c. have all been as a person who's interested in these things, and not as a person who's been paid to help promote them.

G-20 - Early Morning Joggers and Some Flicks from "Fortress Pittsburgh"

I'd volunteered a few months ago to help out at the G-20, during a time when I was mostly unemployed. I'd hoped to work in the press center during the week, but I didn't get one of those jobs. I was beginning to think I wouldn't get any job with the G-20, then I got an E-mail to work the 6am-10am shift on 9/25 at the information table at one of the west suburban hotels. At about the same time, I got a really neat part-time contract job, doing various Web work for Chip Walter. So doing a day's volunteering for the G-20 turned out to work well.

I got up very early this morning, and was at the hotel just before 6am. The lobby was still fairly dark, but there a few state troopers and suited men walking around. I quickly found the info table, replenished the freebies from Visit Pittsburgh (mostly maps and local visits guides). There was a binder of various information, including which groups were blocked in each hotel. While I assumed a distant hotel would have the journalists from Wyoming staying at it, this hotel had the delegation from South Africa.

As you might expect, it was pretty dead in the lobby for the first hour. Mostly just security and hotel personnel of various stripes. The first person I greeted turned out to be plain-clothes security and not a South African attache. The next person I tried to talk to spoke to me in Spanish. Luckily, I could say, "Yo hablo muy pecano Espanol" (probably sic - "I speak very little Spanish"), and he laughed and said he didn't speak much English either.

But that meant we probably didn't just have the South African delegation in the hotel. So I went through the binder again, and found we also had the Spanish delegation. I'd had about three years of Spanish in high school, but that was a very long time ago now.

After about an hour, the lobby got very busy very suddenly. About eight Spanish men in jogging clothes and another few in suites came through the lobby and went out the side door. I wasn't sure who was jogging, but I knew typical joggers don't have plainsclothes security.

Some of the South African delegation came into the lobby. I mostly directed people over to the hotel restaurant.

At about 8pm, a woman with a VisitPittsburgh button came over to the desk. Her name was Mina, and she was a Spanish teacher, who'd been providing translation work for the Mexican delegation on Wednesday. I was relieved she was going to be around the rest of the morning. She knew all about Spanish culture and politics. I described what I'd seen earlier, and she said, "Oh that's because President Zapatero is staying here."

A few minutes later, the joggers returned. Mina smiled and said, "Yes, that's the president."

Not long after Mina arrived, another info booth worker, Subash, joined us. Subash worked for the Allegheny Conference, the group that did most of the local coordination for the G-20. We chatted and Subash was sure we'd met before. We concluded that since we live a few miles apart, we've probably seen each other in the local groceries stores.

Very suddenly, the South African delegation was through the lobby so quickly they were practically outside before we saw them, followed by the state troopers. The Spanish delegation came through a few minutes later, and we had enough time to say "Buenos dias," to which the president of Spain said "Gracias." The first ladies of each country left separately a little later with much smaller entourages.

Once it got to be closer to 10, I said goodbye, ran an errand, then went to Ikea to wait for the bus to Pittsburgh. I was curious to see what downtown Pittsburgh was like today. It was a unique experience.

A storefront in downtown opened up a "grafitti zone." After walking all through downtown, I left the "Welcome to Fortress Pittsburgh" note.

A view of Mellon Park through the 8' tall crowd fence.

AlphaGraphics welcomes the world...even though it's closed and boarded up. There were very few businesses in downtown that boarded-up. Maybe only 50 windows were broken, mostly in Bloomfield, Oakland and Shadyside. I don't think there was any damage in downtown itself.

A view of the David Lawrence Convention Center from the Sixth Street Bridge. Many news outlets reported from the balcony.

Another irony alert - Travelers Aid also closed down during the G-20

It was pretty quiet in most of downtown between 11:30 and 1:30. Lots of cops and blocked streets. While I certainly understand why we needed the security, it was a pretty massive show of force (in fact, as I type at 11:05 on Friday night, there's a minor demonstration going on in the college area (Oakland) of Pittsburgh surrounded by about 200 cops).

About the only attaches I saw "outside the secure zone" were some of the Chinese delegates, who had some shopping bags with them as they walked back to their hotel.

I'll probably put up more photos tomorrow or Sunday.